Top Digital Camera Reviews

1. 

   Hyun Yu
   June 3rd, 2010 - 21:08

   Review by Hyun Yu for Canon Digital Rebel XSi 12.2 MP Digital SLR Camera with EF-S 18-55mm f/3.5-5.6 IS Lens (Black)
   Rating:
   My journey with DSLRs began back in 2003 with the original Digital Rebel. DSLRs changed my photography for the better like nothing else. Five years and some 25,000 shots later, it’s still going strong. Along the way I upgraded to the Canon 30D, which is a fantastic camera as well. When the 40D was announced, I decided to wait until the 50D sometime in 2009, but wanted a newer backup/second body for my photography needs. So when the XSi/450D was announced, it sounded like a perfect fit for my needs.

   I got it from Amazon.com three days ago, and have given it a pretty good workout since then, having shot about 650 shots under a variety of shooting conditions and with a number of different Canon and third-party lenses. The following are my impressions.

   The build feels very good. The camera feels wonderfully light yet well built. I’m 6ft tall with average size hands, and the camera feels good in my hand. The battery grip, to me, defeats the purpose of having a small, light DSLR, so I opted for a Hakuba/Opteka grip (it’s a plate that screws into the tripod socket that enables you to use the excellent Canon E1 hand strap with it) and I couldn’t be happier. I’m not a fan of neck straps, so this works well for me (see the uploaded photo for the configuration).

   Most of the menu buttons on the back feel different from the ones on the original Digital Rebel and the 30D; the XSi buttons feel more tactile and have a definite “click” to them when you press them. The exception are the Exposure Lock (*) and AF selector buttons, which have retained the deeper, softer feel of the older cameras. Just different, not better or worse, for me.

   The LCD is now 3″ with 230K pixels. The playback images look great, and probably because of the higher resolution of the sensor, there’s a very slight delay when you zoom in to 10x while the image loads and displays properly. People coming from other cameras or brands might not even notice it–I only did so because of the difference between it and my two other Canon DSLRs (which have lower resolution sensors). The viewing angle of the LCD screen (how clearly you can see the screen from side and up and down) is excellent; you can still see the screen holding the camera almost straight up for an overhead shot (more on this later). I’d estimate the viewing angle is about 160-170 degrees both horizontally and vertically.

   The Digital Rebel has a separate status screen above the main LCD screen, and the 30D had one on top of the camera, so I wasn’t sure if I was going to like the big LCD acting as the status screen and no top screen. I’m happy to say that this arrangement works well, at least for me. The back screen makes it really easy to take all the settings at a glance. The viewfinder is much larger and brighter than that in the Digital Rebel. A humongously welcome feature for me is the always displayed ISO value in the viewfinder.

   The camera is only 1/2 of the image quality equation, the other being the lenses being used. Coupled with my favorite lens, the Canon EF 70-200mm f/4 L telephoto lens, the XSi turns out fantastic images. The supplied kit lens is very light and compact for being an image stabilized lens, and turns out good performance. The IS is certainly very useful.

   Two features that used to be missing from the Digital Rebels and found in the more expensive DSLRs are now featured in the XSi: spot-metering and flash exposure compensation (these may have been available in the previous Digital Rebel model, the XTi, as well). The inclusion of those two features make the camera a much more complete and compelling photographic tool. The timer function now has a custom mode, where it’ll count down from 10 seconds then take a number of shots (specified by you) in succession. No more running back and forth to reset the timer after each shot! There’s also the traditional 2-second timer.

   Let’s talk for a minute about sensor and the ISO values. XSi/450D has five ISO values you can choose: 100 (best image quality), 200, 400, 800, and 1600. Higher ISO increases the camera sensor’s sensitivity to light, thus you can achieve faster shutter speeeds for a given lighting condition. However, the trade-off is that the sensor “noise” (think grain for film photography) increases with higher ISO, so you get a degraded image quality in return for less blurred photos from hand shakes (thanks to faster shutter speed). This may come in handy in situations where flash photography is not permitted, such as a museum or a concert or theater. HOWEVER, compared to point-and-shoot digital cameras, the larger sensors of DSLRs, including the XSi, means that even at ISO 800 and 1600 you get very usable images right out of the camera. Running the images shot at those ISO settings through any number of third-party noise reduction software will improve them even further.

   This ties in to another very useful feature of the XSi/450D that makes life easier for the photographer: The Auto ISO function. By default, Auto ISO sets the ISO (the sensor sensitivity to light) between 100 and 800 (by using custom functions, this can be changed to 200-1600). If you are, for example, shooting your kid’s indoor basketball game and you know that you need a shutter speed of at least 1/200 sec to “freeze” the action, then you can set the camera to Tv (shutter priority mode) and set the value to 1/200, and set the camera to Auto ISO. Then the camera will match the aperture and the ISO to achieve proper exposure at that shutter speed. With my other DSLRs, setting the camera to shutter priority only allowed the camera to adjust the aperture value; ISO setting had to be adjusted manually. With the XSi/450D, the ability for the camera to adjust the ISO value automatically makes it one less thing for you the photographer to worry about.

   I’ve only tested the Live View function to see how it works, but I can already see how useful it’s going to be in studio and macro shootings. Just a note, you can’t half-press the shutter to autofocus while in Live View mode. You can either manual focus, or use one of the two autofocus methods, quick (the mirror flips up, the LCD goes dark for a short while, and flips down with focus locked) or live (the camera uses the LCD’s contrast detection to achieve the focus–this method is slower than the quick method), both by pressing the exposure lock button (*) while in the Live View mode. Using either the RS-60E3 wired remote or RC-1 wireless remote in Live View mode will ONLY trigger the shutter, and has no bearing on focusing.

   Some people seem to be under the impression that the inclusion of the Live View feature will enable them to use the XSi/450D as they do point-and-shoot digital cameras, to compose their shots. That is not the case. You can’t really make a functioning use of the Live View feature unless the camera’s securely mounted on a tripod or on a flat surface. Both Live View focusing modes, while precise, are too slow to be used for hand-held shooting.

   Having said that, there is one use of Live View in hand-held shooting that I’ve come to value. When shooting overhead or over an obstacle, I can, with the same hand holding the camera, trigger the Live View, compose the scene through the LCD monitor (even if it’s out of focus, it’s easy to get the general framing right), disable Live View, and take the photo normally. With a little practice, this can be accomplished very quickly. Very handy when you’re just holding the camera overhead and hoping for the best.

   The Direct Print button that’s been much ridiculed and maligned in most Canon cameras now double as the white balance menu button. The Set button in the middle of the four-direction arrow keys can be programmed for a number of different functions: Change image quality, flash exposure compensation, LCD monitor on/off (same as Display button, but can be triggered by the same hand holding the camera), and Menu display (again, can be triggered by the same hand holding the camera).

   There is a dedicated ISO button, which is also very welcome. It can easily be accessed during shooting with the right thumb, thereby minimizing the interruption to shooting.

   The battery life seems very good. I’ve shot about 500+ shots on a single charge and the status monitor is still showing charge at full.

   I’m using Transcend 8GB Class 6 SDHC card with it. At ISO 100, the camera reports it can fit 396 RAW+JPG (highest quality) on it, but in reality it can probably fit about 420-450 (the camera’s always conservative when estimating). With RAW only, it can fit 507. With highest quality JPG, it can fit 1,822. Note that as ISO increases, so do the file sizes and thus you can store less images per card. For example, on ISO 1600, the same card can only hold 323 images, compared to 396 at ISO 100.

   My only gripe, and this is more about me than the camera, is the RAW+JPG buffer. I always shoot RAW+JPG, and the buffer will only hold four images at that speed (this is a limitation that’s built into the camera’s memory buffer system, and thus using a fast memory card doesn’t help–see p.64 of the manual). When the buffer’s full, you can take two additional images at about a frame a second, then have to wait until the buffer empties (finishes writing to the memory card). When shooting RAW only, it’s 6 images. When shooting JPG only, then it’s no problem at more than 50 frames. I’ve found myself switching the mode dial to Sports mode when I’m shooting a fast-moving subject and the buffer simply can’t keep up with it. Well, that’s why Canon produces different grades and ranges of DSLRs.

   I’ve uploaded some photos that I shot of the local wildlife. Most if not all of those were taken with the EF 70-200mm f/4 L lens.

   All in all, it’s a fantastic camera. Pretty amazing to see how far the entry-level DSLRs have come in just a few years in terms of features, interface, ergonomics, and quality. I’m very pleased with my purchase and intend to have lots of fun shooting pictures with it.
2. 

   J. Lane
   June 3rd, 2010 - 21:30

   Review by J. Lane for Canon Digital Rebel XSi 12.2 MP Digital SLR Camera with EF-S 18-55mm f/3.5-5.6 IS Lens (Black)
   Rating:
   I have had the XSi for about 3 months now and I am thouroughly impressed with it. This is my first DSLR and I was a little wary about going with a brand-new and untested camera, but I have always like Canon (I used an ELAN II in High School and I bought a SD600 about 2 years ago to take snapshots of my son). Overall, I have not been disappointed with the quality of the photos that the XSi produces. The IS lens works great and I have taken some pretty amazing photos (for me at least). I do have just a couple of issues, both good and bad, that I think those who are looking at buying this may want to know.

   Battery life — Great battery life. I should say, AMAZING battery life. I have taken over 5000 photos and I have only had to charge the battery twice.

   Live View — LiveView is not for beginners. It is not a replacement for your Point-and-Shoot. You can’t use it in the AUTO mode (Green Square). This isn’t that big of a deal for me, I prefer full manual myself, but the whole point of this feature, I thought, was to make it more user friendly for the Point-and-Shoot photographer. My wife can’t use Live View in it’s current form (I specifically bought a DSLR with a live view function so she could still use the camera). So, if Live View is a big selling point for you, You may want to look at some others (If it isn’t that big of a deal to you, then this is still an amazing camera — added 4-23-2008). If you do studio work, though, you can hook the camera up to your PC and use it as a remote viewer. But it is not a point-and-shoot camera in Live View. In my earlier review, I said that it would be nice if Canon fixed some of the Live View issues with a firmware update, I was mistaken. Live View is a nice feature once you figure out it is not meant for beginners. Studio and landscape photographers will find Live View a great tool.

   Image Quality — I have had some great success shooting in a studio setting as well as some great outdoor shots. In the studio, I used tungsten “hot” lights with the subjuect against a white background. The photos turned out great. Skin tones are perfect and there is very little, if any, chromatic abberation at the edges. It shoots great outdoor shots as well. We just got into beekeeping and I was able to get some AMAZING shots of our bees up-close outdoors. The bees looked dirty and not very interesting from a distance, but the macro photos I got up close are beautiful and full of wonderfully crisp details. The lens is a little short, the image quality you get from it is pretty good considering it only costs $100. I do plan on buying a longer lens in the near future.

   Overall, the camera is solid and feels nice in the hand. It isn’t too heavy, yet still feels sturdy. If you can afford the higher price, I don’t think you will be disappointed. If you can’t, the XTi is still a great camera. And if you can afford to wait a few months for the price to drop a little (LIKE IT ALREADY HAS!!) I would. I was able to work a few extra weekends so I could afford to get this, and I can tell you, I don’t mind it a bit, because the quality of photos I am getting has been totally worth it.

   — Update —
   
   I was incorrect when I said you couldn’t use the 9-Point autofocus in Live View. You can use the 9-point autofocus while in Live View, but the mirror flips down and focuses so you can’t see what you are trying to focus on until after the camera has actually gone through the autofocus process.

   — Update #2 —
   
   I have now had this camera for almost two months and I am happy to report that the more I use it, the more I love it. Once you learn the layout of the camera and you load the MyMenu with the tools you use most often, the camera becomes an absolute delight to use. I have taken over 5000 photos with it so far and now I need an extra hard drive to put them all on.

   I was able to rent a Canon EF 24-105 IS L lens and a 580 EX II Speedlite for my sister’s wedding. WOW! What great photos. The camera interfaced with the flash flawlessly and I am more convinced than ever that much of the quality of your photos comes from the glass you use and not as much from the camera itself (I think it is about 65% lens to 35% camera body give or take a few points– I know there will be those who disagree, but that is my take on it, and I am sure if I had a 1Ds MkIII I would think that there wasn’t a peice of glass good enough for my camera).

   This is a great beginner dSLR and a great camera all around. I am very happy with my purchase and I have had no regrets whatsoever about spending the $900 to buy such a great tool. Amazon now sells it for $799, you can’t go wrong at that price!
3. 

   John Korkow
   June 3rd, 2010 - 22:13

   Review by John Korkow for Canon Digital Rebel XSi 12.2 MP Digital SLR Camera with EF-S 18-55mm f/3.5-5.6 IS Lens (Black)
   Rating:
   This camera is impossible to beat at this price. I won’t write a lengthy review, but, you can set this camera in fully automatic mode and hand it to a “point and shoot” person, and they will obtain fantastic results. For the amateur photographer, this has all of the bells and whistles, what I love is I can reset the camera rapidly for multiple shots of the same scene on very different settings. Married with a decent photo program on your computer, it is possible to achieve professional results.

   Many reviews say, get this with the stabilization lens…. I wholeheartedly agree… the extra $100 is a bargain price for this lens… It is almost (and I do say almost) like having a tripod. I set the camera for 1/10th second exposures with no support, and obtained steady pictures with it, slower than this, and the stabilization did not fully correct for any unsteadiness.

   We’d buy it again in a heartbeat, and I wish I could get one for everyone I know!! Best photos that I have ever taken and a joy to use! Connecting it to the computer and downloading photos takes a matter of seconds.

   Get the largest SD card you can afford with it… We have a 2GB card with it, and it fills fairly rapidly. 1GB is far too small for this camera (primarily because you will take numerous shots with it, not because the pics take up a great deal of memory), I’m guessing 4GB would be near perfect (or a couple of 2GB cards, but one 4GB is safer, the cards are too easy to misplace).
4. 

   Just another reviewer
   June 3rd, 2010 - 22:32

   Review by Just another reviewer for Canon Digital Rebel XSi 12.2 MP Digital SLR Camera with EF-S 18-55mm f/3.5-5.6 IS Lens (Black)
   Rating:
   I picked up this camera two weeks ago at a local store. Overall, it’s a solid camera. Color reproduction is wonderful, it’s quick, low noise with high iso, and terrific macros. The camera is blazing fast. Please refer to the other posters for the good points of this camera.

   Now i’ll discuss the shortcomings. The major one, which has been referenced to in various forums such as dpreview and a few online review sites is poor AutoFocus. Not all cameras are affected, but mine was. If you shoot at an object from w/in 10 ft, it has trouble over 50% of the time picking up the autofocus point and often selects the wrong point. If you use center focus, it gets pretty close but final image is still a bit blurry. It becomes a bit sharper w/ the live view autofocus system. When I took some outdoor pics of some animals, i couldn’t quite lock on what i was interested in. Even when taking shots of people outside w/ a prominent background, it seems to have trouble deciding if it wants to focus on the person or the background. I’d say that 20% of my shots were actually in focus and those look wonderful. The remaining ones had the focus off. So i’m gonna send my camera to canon for repair. I went to best buy and tried out a 40D and the focus was rock solid. If you get a good camera, kodus to u.
5. 

   A Reader
   June 3rd, 2010 - 23:02

   Review by A Reader for Canon Digital Rebel XSi 12.2 MP Digital SLR Camera with EF-S 18-55mm f/3.5-5.6 IS Lens (Black)
   Rating:
   The XSi is a significant step forward for Canon, and brings features to the upper end of the consumer market that were previously only seen in much more expensive professional equipment.

   The most important reasons I like this camera are:

   1. The kit lens (EF-S 18-55 f/3.5-5.6 IS) is very good for the price. It is as sharp as lenses costing $700 to $1,000 and has only minimally greater barrel distortion and no vignetting to speak of. There is a little bit more chromatic aberration than with more expensive lenses, but again it completely acceptable, especially for the price. The autofocus and image stabilization work reliably and quickly. For aficionados of professional grade lenses, the build will seem light, but a light and small lens is also easier to carry around. Overall, a big improvement over earlier Canon kit lenses.

   2. The 12.2 megapixel sensor provides more than enough resolution. Even 8″x12″ enlargements are highly satisfactory. We can look forward to the day when consumer-priced 35mm SLRs will have 30 megapixel full size sensors. At that point, the 35mm format will be maxed out in terms of resolution, as the lenses will not be able to keep up. In the meantime, this is as good as it gets. To give you an idea how good, on a shot of a 25 story building, every brick was clearly visible.

   3. The camera is fast enough for essentially all non-professional use. With natural lighting (no flash) it shoots 3.5 frames per second, perfect for capturing kids or sports action.

   4. Another great feature of the XSi is that it has all the manual controllability that advanced photographers want, but also has automatic modes that even a complete beginner can easily use. The performance of the preset automatic modes is surprisingly good under a wide range of conditions.

   Having only had the XSi for a few weeks, I cannot yet say anything about the reliability of this new model. What I can report is that in more than 30 years of photography, I have found Canon products, both SLR and point and shoot, to be by far the most reliable. The Nikon, Olympus, and Pentax cameras I once owned have long since fallen by the wayside, but every Canon I have ever had, all the way back to a 1978 35 mm AT-1 SLR, is still going strong.
   
6. 

   E. Sumner
   June 3rd, 2010 - 23:36

   Review by E. Sumner for Nikon D5000 12.3 MP DX Digital SLR Camera with 18-55mm f/3.5-5.6G VR Lens and 2.7-inch Vari-angle LCD
   Rating:
   Great Camera. If you are new to the DSLR game (like myself) or you are upgrading and you can fork up the cash, it is definitely worth it. It has a very concise, simple, and easy to use interface, the buttons are very well placed, and the swivel LCD is very nice and useful in certain situations (I really like how it folds inwards to protect the screen). My main purpose for this camera is still photos so the video is a cool bonus and is surprisingly better than I thought (though if you are looking to do serious HD video, I’d go for an HD camcorder or something else instead).

   The D5000 is essentially a D90 squeezed into a smaller lighter body (of course it lacks the internal AF motor, doesn’t have as good a grip, and has a slightly smaller pentamirror viewfinder instead of the pentaprism in the D90 – all of this amongst a few other things, but hey it’s cheaper for a reason – also it is mentionable that the D5000 has an additional live view mode, a few more in camera editing tools, and more scene modes compared to the D90 – all useful for someone new to the DSLR in the sense that you can learn from them or just use them to make your life easier and your photos look great).

   So far I love it. It is simple to use and great for those new to the DSLR realm, but it also packs enough punch for those looking to upgrade and will give newcomers much room to learn and grow with it.
7. 

   Todd
   June 3rd, 2010 - 23:50

   Review by Todd for Nikon D5000 12.3 MP DX Digital SLR Camera with 18-55mm f/3.5-5.6G VR Lens and 2.7-inch Vari-angle LCD
   Rating:
   I bought a D5000 with the 18-55 VR lens from Amazon last Friday (Black Friday). I paid about $200 less than a friend who bought the same camera a few months ago. AND… It is NOT part of the recall! My biggest initial concern was getting caught up in the recall. I am very happy to say that Amazon seems to be beyond those serial numbers – at least with the kit (camera and 18-55 VR lens).

   I’m upgrading from a D50 I bought 4 or more years ago. There are a number of reasons why I chose THIS camera. First, I like Nikon over other brands because they are easier to use/better menus for those of us who aren’t experts. I also think that Nikon makes the best lenses. Even their cheapest kit lenses have great optics and take great pictures. Not all manufacturers can say that.

   The second thing I want to address is this camera’s lack of an internal motor to auto focus a lens. In other words, you need Nikon’s AF-S lenses with this camera. (Note: almost all of Nikon’s lenses work with this camera and auto focus.) I would only think it is a concern for someone who has really old lenses, a non-Nikon lens like Sigma or Tamron without an auto focus motor built-in, or possibly some specialty lens that won’t auto focus on its own. For me, I have purchased 4 different lenses over the last 4-5 years. They all work just fine. While it is something to be aware of, I think most people who are looking at this camera will be fine too. The lack of an internal motor means the D5000 is slightly smaller and lighter than the next step up – cheaper too. This makes the D5000 easier to hang around your neck and carry around all day. This camera is not targeted at a pro, though it is very capable of taking pro pictures. Pros are more likely to opt for the D90 or above.

   Third – My D50, the D40, D60, D70 and D80 are all Generation 1 cameras. (Actually the D40 & D60, may be called Generation 2, but are more Generation 1.5) Nikon’s current lineup, the D3000, D5000, D90 and D300s, are all Generation 2 cameras. What the reviews say is that the Generation 2 cameras take better pictures. They see things more the way the human eye sees things. I am at that point where I am trying to learn more about photography and take better pictures. I did my research. The D3000 is a light camera that you can carry around all day without getting neck cramp. The problem with the D3000 for me was that all the reviews said how much noise (little purple dots that look like film grain) showed up in photos at the higher ISOs. The D90 is a great camera with numerous features that appeal to someone who has some idea what ISO and F stops mean and how they affect the quality of the photo. The D5000’s problem, until recently, has been that it was too closely priced to the D90. There was just no reason not to take the extra step up to the D90. Now that Nikon and Amazon have dropped the price of the D5000, it is a much better value. The D90 with the same 18-55 VR lens is about $300 more expensive than the D5000 as of this writing. The D5000 uses the same sensor (and some other parts) as the much more expensive D90 and D300s. It is a newer camera than the D90. I would think, but don’t have actual knowledge, that this would have a positive effect on some of the advanced features in the D5000. I say this because the software in the D5000 is newer. It does NOT have the noise problems of the D3000. If you cannot afford the D5000, I suggest you consider the D40 (while supplies last) over the D3000. The D40 takes better pictures and costs less.

   Video – Do NOT buy a DSLR to shoot videos. NO DSLR from any manufacturer does this really well. The technology is too new. Video on a DSLR is a goof, something neat/fun to play with and not something to take too seriously. DSLRs are designed to take really good photographs. If you need good video, buy a camcorder!

   In my opinion, the D5000 is THE camera for folks new to DSLRs who need something simple, but with great capabilities and those, like me, who want to take a step up in features/capabilities without having to spend over $900 dollars for the D90 and a lens. While Live View has its limitations, the articulating screen (it swivels – very cool feature) on the D5000 will make it easier for me to take those occasional hard to get photos.

   I really think I made the right choice and got what I feel is a heck of a deal! I hope this information is useful to those of you who are still trying to decide which camera is best for you.

   One last thought… Nikons seem to hold their value. I plan to sell my D50 – AND – there seems to be a market for it. Once I learn what ISO and F stops are (I have some idea, but am still learning.), I will likely sell my D5000 and buy whatever the next step up is. I think this is a great added value to buying a good name brand camera like Nikon. All the best…

   **Update 1/3/10** Well, I’ve had a chance to shoot a few hundred photos with my new D5000. I did a direct comparison with about 150 photos between my old D50 and the new D5000. The output of my old D50 and the new D5000 are remarkably close. These side by side comparisons were shot with the same lens (Nikkor 16-85mm VR and Nikon NC filter), the built in flash and the Nikon SB 800 flash. I took some shots in “Auto” and many shots in “P”. I used every ISO and color controll the D5000 had and tried to tweak them up and down (sharpness, saturation and hue). I’ve decided to return the D5000, and then decided to keep it, and here’s why.

   The added megapixels of the D5000 seem to have very little effect in the amount of detail in the photos as compared to my D50. The D50 has a 6 megapixel sensor. (I DID tweak the settings of my D50 to get better output. I will tweak the settings of the D5000 too.) And, the D50 seemed to have a slightly more reliable/consistent meter when shooting in auto white balance. All this really surprised me. I guess I was expecting more of a difference between the two cameras. The D50 probably has one of the most accurate meters in any Nikon digital camera – better than the D40 and D60. In the thousands of photos I took over 4-5 years, it got the white balance spot on every time.

   In defense of the D5000, it does have features far beyond those of the D50. It is these features that have made me decide to keep the D5000. The software in the D5000 allows you to adjust many more aspects of how the camera operates and takes pictures than what my D50 had. This allowed me to tweak any settings that I was not completely happy with. It also has numerous preset scene modes for those who want to treat the D5000 more as a really good point and shoot. I guess this camera gives the user enough features where even prosumers could be happy with the creative flexibility the controls give.

   The D5000 has a number of other advantages over the D50. The first is a time saver for me. Its auto distortion controll seems to handle lens distortion “in camera” when the pictures are taken. Having the camera address lens distortion saves me from having to fix it after the photos are taken. I shoot quite a bit with a 12-24mm lens that tends to twist things some. I also took several test photos of a very square surface with a 70-300mm lens at different focal lengths. You could see the lens distortion through the view finder. Big bonus… The auto distortion control really seems to work! Additional features include much better low light performance (The D50 and many other cameras will never touch the D5000’s low light performance.), ADR (it will capture detail inside shadows rather than just turning the shadow black.), a larger-articulating screen that is much easier to see and read (the D5000 displays the camera settings on the rear screen instead of an LCD on top of the camera.), live view (I recommend using this only for those hard to get photos when you just can’t use the view finder. It can take 3 to 8 seconds to focus in live view.) auto focus with 3D tracking for photographing subjects that are moving, and a smaller and lighter form factor than the D50.

   The bottom line for me was that my old D50 took really good photos in good conditions. The D5000 takes only slightly better pictures than my D50 in good conditions. In less than perfect conditions, the D5000 seems to take much better photos than my D50. If you’re upgrading like me and none of these added features mean anything to you, keep your current camera. Otherwise, while not completely perfect, the D5000 can be a good upgrade or a very capable first dslr that is easy to use AND will give you the room and controls to expand your skills and your creativity as you learn.

   I did play with a variety of settings in my new D5000. The “One Change” that seemed to make the biggest improvement in the quality of the photos was to adjust the sharpness settings in the Picture Controls menu. I have turned the sharpness settings way up over the factory defaults. The factory settings ranged from 2 to 4 (on a scale of 1 to 9). I greatly prefer setting the sharpness more in the 5 to 8 range. You can adjust the sharpness for the different modes – 5 for images you want to be softer like portraits, and 6, 7 or 8 for everything else. If you shoot in “auto mode”, these changes won’t work. You will need to move to “P” or some other setting to take advantage of this. If you try it, I think you will be pleased at how much sharper and how much more detail you get in your photos over the factory settings.

   The information I share comes in part from personal experience and in part from reading reviews and information all over the web – not because I’m some pro photographer. For anyone who cares to read more, I recommend checking out Ken Rockwell. You can Google him. He rates ALL of these cameras and provides useful information like tips on how to setup your D5000 once you buy it. Note: The guide to setting up the D5000 is burried in the site. If you click the “Nikon” link, then go down to “Plain English User Guides”, you will find it. His guide to setting the camera up is separate from the review of the D5000 on his site. If you follow his suggestions when adjusting the saturation levels (color), you should know that you CAN really get some wild colors – colors that are not natural. I didn’t get this the first time and got some really crazy output from the camera. I decided to leave most of the color settings set at the factory defaults. I saved two custom settings with the saturation level turned up one notch for pictures taken outside and in good sunlight. If you screw up the settings on the camera, it is easy to restore the factory default settings. So, don’t be affraid to try different things. Ken recommends setting the sharpness settings to 5. As I said before, I prefer to go even sharper and use settings that range from 5 to 8. Ken’s only beef with the D5000 was that Nikon started with it too closely priced to the D90. The D5000 shares the same sensor and A LOT of other parts from the more expensive D90. This makes the D5000 a fantastic camera and a great value at its current price point. Amazon lists the link to the DPReview review on the D5000 page or you can Google it. People may want to read the DPReview of the D5000 before reading Ken Rockwells Guide to setting up the D5000. DPReview tells you whats wrong with the factory default settings on the D5000. Ken Rockwell tells you how to adjust the factory settings to get even better photos! I know I’m rambling a bit here. I’m going to so much effort here only because the reviews on Amazon have provided me so much helpful information in the past. I am just trying to give something back. Oh, I DID sell my D50 for $350! I was very happy to get this kind of money for a camera that was 4 or 5 years old. All the best…**End of Update**
   
8. 

   Dave H
   June 4th, 2010 - 00:22

   Review by Dave H for Nikon D5000 12.3 MP DX Digital SLR Camera with 18-55mm f/3.5-5.6G VR Lens and 2.7-inch Vari-angle LCD
   Rating:
   Out of the box, my first impression wasn’t the best, as camera size and feel are more like my entry level D40 than I expected. Of course there’s the movable LCD (which is more useful than I thought) and Live View button, but not too much more to separate the outer look and feel from D40 mode.
   
   Then I spent some time setting things up and shooting – and all of a sudden I’m loving this thing.
   
   - The menus, IMHO, are waaaay better than anything I seen on other Nikons (mostly D40 and D200 experience) ISO adjustments and AUTO decisions all in one place, the access to the Info parameters on screen is really clean, and the LCD clarity is great.
   
   - The high ISO performance for low light is quite good for my purposes. Sure you get some noise, but you get the shot – and if you are getting material for web and simple uses – it’s perfect.
   
   - The wiggly LCD screen is helpful for reading the menus and changing settings with the camera, say, in your lap. Also helpful at odd angles to review what you just shot. I use it more for those purposes than the live view.

   So what don’t I like? The video isn’t real useful. Zooming without autofocus isn’t much fun. Moving, even a little, creates odd artifacts in the 24p video -so don’t think of any zoomed hand-held shots. Tripod, basic static focal length maybe. I don’t know whether video editing sw like Final Cut Pro is ready to ingest these video files.

   Overall – I really enjoy shooting this camera – and the images are excellent.
   
   I’ll try to post a few.
9. 

   New D5000 owner
   June 4th, 2010 - 00:51

   Review by New D5000 owner for Nikon D5000 12.3 MP DX Digital SLR Camera with 18-55mm f/3.5-5.6G VR Lens and 2.7-inch Vari-angle LCD
   Rating:
   I bought a D5000 locally ten days ago and exchanged it for another one three days ago.

   The first thing I did was get out in the early morning light and take some landscape photos with the D5000 and my D40. Over the next few days I continued taking dozens of photos testing various settins on the D5000. I used my old 18-55mm non-VR zoom lens and the new 35mm f/1.8 lens.

   Right away, it was obvious that the D5000’s image quality greatly exceeds the D40’s. First, megapixels DO matter if you want to look at your photos on a big monitor, and they add texture to the details of landscapes. Second, I don’t know what processing magic Nikon has rolled into the D5000, but it handles low light with more subtlety and predictability. Caveat: While Active D-Lighting is generally desirable, it may sacrifice contrast that you want to keep in strong lighting situations.

   The one problem I have experienced is that many of the photos came with a strong yellow-ochre cast suggesting that the camera was pushing too much amber into the white balance. Green grass would turn chartreuse and blue skies would become pale. This occurred unpredictably, perhaps 75% of the time. The rest of the images would have what look to me like perfect colors–much better and more subtle than the D40, which is pretty good. (I am evaluating these photos on a calibrated color-accurate monitor.)

   After fiddling with white balance settings, hue, WB bracketing, turning ADL on and off, etc., etc., I returned the first camera, only to find that the second one does the same thing. Yesterday, however, I stumbled across the fact that if you select “Direct Sunlight” WB instead of “Auto White Balance” (and you actually have sunlight) the problem goes away and the colors are perfect.

   A little more research on the internet indicates that the unpredictable behavior of Auto White Balance is a well known problem on many digital cameras. Essentially the camera is trying to guess what lighting conditions apply, but most of the experts who came up in my search strongly recommended manually selecting and/or adjusting white balance. Now, I didn’t think that my D40 or the other cameras I owned had this problem, but maybe the other issues they did have were related. For instance, the D40 often put a faint blue cast into shadow areas that wasn’t there. A D60 that I briefly owned was worse in this regard.

   Like the D40 before it, the D5000’s manual recommends Auto White Balance for most situations, but you may want to question that. This is a bit a disappointment, because the way Nikon has intelligently automated so many menu choices is part of the D5000’s excitement, but it seems that the Auto White Balance problem is common among DSLRs.
10. 

    Mark E
    June 4th, 2010 - 01:39

    Review by Mark E for Nikon D5000 12.3 MP DX Digital SLR Camera with 18-55mm f/3.5-5.6G VR Lens and 2.7-inch Vari-angle LCD
    Rating:
    This is my first DSLR camera, and I can say right off that it’s very easy to use and takes amazing photos. I chose the D5000 because a friend who is a professional photographer recommended it saying I should invest my money in lenses not the body. I believe this is true, but there is a consideration to make when purchasing the D5000, or the other Nikon entry-level cameras such as the D40/D40x/D60/D3000, and that has to do with the auto-focus motor.

    The D5000, which tops Nikon’s entry-level line, does not include an auto-focus motor in the body, instead it relies on a “silent wave” auto-focus mechanism in the lens (AF-S). This is supposed to be very quiet and fast, though I don’t know if that’s true compared to the screw-drive motors used in other camera bodies. It’s also supposed to be more cost effective and allow for a smaller/lighter camera body, but again I’m not sure if that is quite true or exactly why Nikon chose this option for their entry level line (if anybody knows more about this please feel free to comment). However, this option will limit users who already have a collection of Nikon AF lenses (not AF-S), as well as those purchasing a Nikon for the first time. The AF lenses will work fine but have to be manually focused. That said, more experienced users would probably not be purchasing an entry-level model; a more appropriate starting point would be the D90.

    So as far as lens compatibility? The first lens I sought to purchase was a fast prime (FFL) unit for indoor/low-light and portraits. I looked at the low-priced 50mm f/1.8D AF, but the auto-focus is not compatible. Same with the faster and more expensive 50mm f/1.4D AF, as well as the 35mm f/2D AF. Also, no luck with the Tamron or Sigma FFL units, though I did see some Tamron zoom lenses with AF-S compatibility. I became very concerned that my options would be severely restricted, and perhaps I would need to return the camera and upgrade to the D90 or go with the Canon T1i. However, I discovered the 50mm f/1.4G SIC SW, which came out last year, and also the more moderately priced 35mm f/1.8G AF-S DX which currently sells for about $200. That unit came out earlier this year (I haven’t chosen yet). I also went to the Nikon homepage, and noted that 30 of the 50 current auto-focus lenses listed were AF-S, so while the options are limited, the average non-professional user shouldn’t have a problem finding an appropriate lens for the occasion – including many professional level models. I also suspect that Nikon will include AF-S in more if not all future auto-focus lenses. Users will find the least options with Nikon’s wide-angel, standard, and telephoto models. Most of the super telephoto, wide-angle zoom, standard zoom, high powered zoom and close up lenses include AF-S.

    PROS of the D5000

    1. Has virtually the same image sensor as the D90 and D300. This puts the D5000 in good company, and one could argue it’s more of a prosumer or mid-level class camera than its entry-level predecessor, the D60. It’s almost a D90, but just lacking of a few options and the D90’s ruggedness. The difference is about $300.

    2. Flip LCD; I considered the Canon EOS Rebel T1i, and while both the Canon and Nikon have their advantages, both are very similar with the exception of Nikon’s flip LCD. I consider this more than just a novelty. It not only protects the screen but is practical in some situations, such as shooting photos overhead. The D90 does not have this function either.

    3. Easy to use; I got fantastic pictures right off using the auto mode as well as the pre-set scene selections. However, users are not restricted to these options and experienced photographers should enjoy the camera alike. Just like the D90, the D5000 has scene modes on the dial, but it also has 13 additional modes from the menu which adds benefit to novice users. I tried the night landscape and sunset with excellent results.

    4. The lens is very good for a kit, and includes Vibration Reduction (VR). The lens by itself currently sells on Amazon for about $185 new, as appose to the model without VR which is currently priced at $110. Users may also want to pick up a fixed lens and/or higher power zoom, but the kit lens should be fine for most users. That said, I’m sure this camera could be taken to another level with the right lens.

    5. Long Battery Life

    6. Compact / Light weight

    CONS

    1. Price; the D5000 may be priced a little high for an “entry-level” camera, but again it’s $300 less than the D90, and in many ways comparable. It’s also slightly less than the Canon EOS Rebel T1i.

    2. Ruggedness; some may say it’s a little “toyish” with the plastic finish, and being light (which isn’t a bad thing), but overall it looks sharp and is well built. I handled the D90 and some of the pro lines, they felt a little more rugged, but of course are designed for more abuse (and cost much more).

    3. AF-S auto-focus (see above)

    Bottom line, if you’re looking for a great camera with the ability to produce real quality photos, but you don’t want to spend a small fortune, the D5000 is a great choice.

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